My Sweet Luke (Moi mily Lyuc)
Feature short film
2025
Country: Russia
Runtime: 23 min
Rating: 18 +
Director: Sergey Pavlov
Scriptwriter: Sergey Pavlov, Evgeny Vorotnikov
Producer: Anna Buchenkova
Cameraman: Kostya Rudenko
Sound engineer: Ivan Solovyov
Artist: Alexandra Smirnova
Starring: Nikita Voronov, Svetlana Mrshankina, Nikolay Salnikov, Alexey Lysenko, Maria Geramisenko, Evgeny Pilipenko, Igor Serebryany
Production: Sergey Pavlov, contact person Anna Buchenkova
Nighttime roadmovie:19-year-old Lenya and 40-year-old sewer tunnel attendant Lyuda find themselves in a dark park, where a street lamp illuminates not only a ping-pong table, but also their strange, non-committal encounter.
2025
Country: Russia
Runtime: 23 min
Rating: 18 +
Director: Sergey Pavlov
Scriptwriter: Sergey Pavlov, Evgeny Vorotnikov
Producer: Anna Buchenkova
Cameraman: Kostya Rudenko
Sound engineer: Ivan Solovyov
Artist: Alexandra Smirnova
Starring: Nikita Voronov, Svetlana Mrshankina, Nikolay Salnikov, Alexey Lysenko, Maria Geramisenko, Evgeny Pilipenko, Igor Serebryany
Production: Sergey Pavlov, contact person Anna Buchenkova
Nighttime roadmovie:19-year-old Lenya and 40-year-old sewer tunnel attendant Lyuda find themselves in a dark park, where a street lamp illuminates not only a ping-pong table, but also their strange, non-committal encounter.
Sergey Pavlov
DIRECTOR'S BIO:
I was born in a Russian Detroit, the city of Togliatti where Russian motor cars are manufactured. I came to film directing from music and sound design, having gained practical experience in game development, figuring out what kind of sound atmosphere would fit a post-apocalyptic open-world game. After work hours in the office, we would take a video camera and plunge into the city to shoot videos about bicycles, interesting people and hangouts. Eventually a team has formed, and now we shoot together. Now we are forging plans to shoot feature films.
FILMOGRAPHY:
2023 – Live a Better Life
2024 – Maybe
I was born in a Russian Detroit, the city of Togliatti where Russian motor cars are manufactured. I came to film directing from music and sound design, having gained practical experience in game development, figuring out what kind of sound atmosphere would fit a post-apocalyptic open-world game. After work hours in the office, we would take a video camera and plunge into the city to shoot videos about bicycles, interesting people and hangouts. Eventually a team has formed, and now we shoot together. Now we are forging plans to shoot feature films.
FILMOGRAPHY:
2023 – Live a Better Life
2024 – Maybe